Klirlungz Ih Calai Thlawhhma II A Suak Thlang Ding

CT | 4 January

Book of the year 2010 hrang Chin Literature Forum (CLF) pawl ih an hril mi Biazai Rianram ti ngantu Klirlung pawl cun cabu pakhat suahsal an tum thu dawn a si.

Cabu hmin  : Calai Zirnak Hmaihruai (An Introduction to Literature)
Ngantu        :  Kianghrol (Mhingte)
A thu           :  Leitlun calai pianhmang,a sullam, a bulhram, a sining, cangvaihdan, calai phun, calai fakselnak, theories, concepts, genres, …….
Suahtu        :  PYJC Chin Synod
Zohdiktu      : JC Kip Ling (Klirlungz) & Salai Lal Pek Tluang

# Cahmai 300 t.ha a um ih ngunngaih le thungaithlakih siar ding pawl cu a si ko.

# Biazai, nunthuleng, nunthuleng tawi, biography,autobiography, essay, drama a phunphun, calai fakselnak, theory tipawl rel ding, ngan ding, calai zohdiktu t.uan ding le calai hliakhlai ding pawl, calai misa ih theiaw pawl, calai thuhla tlok-ri-bek ding men poh hrang khalah siar makmawh( siar lo theih lo) cabu rotling

Klirlungz pawl

# Copies 300 vial a suak dingih hleiah, PYJC member sungah copy 250 cu zuar ding a si ruangah aleng ahcun copy 50 tevial kan zemsuak thei hrih ding. In ngaithiam hram uh. A co hmaisa sa vant.ha si pei cu.

# CALAI ZIRNAK FAMKIM  ti a si loih CALAI ZIRNAK HMAIHRUAI  ti a si sawn. Cutiih cahmai tenren cing hman cun hmai 300 a luan nguarngo thei ceu!

# Grammar, T.ongphungphai (linguistics), Ngansiarthiamnak(literacy), T.ongkhun zirnak, tivek hlanlaiih CALAI ti thawkih kan rak thawk t.heu mi kha cu si ziar hlah e. CALAI (Literature) ngongo a si.

# Himi cabu sir ih a thlik le a thau zuk ban cin cu calai ah aw-aan nei tlak, kutsuak ser tlak, calaimis si an nai tinak (Kip Ling ih ngaidan men)

# Sinan, himi cabu vun sir tahratih lung-aa mupmo cun (hlanlai ah calai pabik simaw calai misa le calcang siih rak thei-aw mengmang khal si sehla) Calai ngaingai ahcun ABC ihsin, tlawmla siang lote’n, a thok sal a ttul ti kha sualphuannak (mah le Pathian karlak talah) nei sehla a t.ha men ding (Capoh thilthu men aw, huat ngaingai awi loah)

# Calai ngaina taktak le sunsak taktak ding hrangah cun Kianghrol ih nganmi CALAI ZIRNAK HMAIHRUAI hi rinsantlak Kianghrol t.ha zet a si ko ding

# Hi cabu siar ta locun CALAI timi cu rel-on ngam ding si hlah ti  ka nuam nan, a luan deuh pang ding ka t.ong sal lo mai!!

# Tlawmngai suahin in rak leisak hram uh ti si deuh lo’n rak sir ngah tengteng tum hram kei uh.

# Lai t.ongih Calai Zirnak cabu hmaisabik (Grammar le t.ongphungphai/ngansiarthiamnak  ka ti lo) a si rori.

Klirlungz Hi Zo An Si

A SUNGTHU
(Index)
Lungawithu……………
Thuhmai( By youth Secretary, PYJC Chin Synod)
Thuhmaihruai……………….

Bung I
Calai ih Sullam………………

Bung II
Biazai(Poetry)……………………
Biazai: Simfiangnak Hrekkhat……………
Biazai: A Bulhrampi Pahnih…………..
Anhmui: Biazai Hriamhrei……………….
Fungsum le Awkhiah (Metre and Rythm)……………….
1. Sum Phunphun……………
~elh(Rhyme/Rime)………………
Canghlom Ruang-ampawl (Stanza Forms)………….
Bezai Phunpawl (Poetical Types)………………….
1.     Epic………………..
2.     Ballad…………….
3.     Lyric……………..
4.     Ode………………
5.     Elegy……………..
6.     Sonnet……………..
7.     Idyll………………..
8.     Dramatic Monologue……………………
9.     Satire………………………….
10.    Ubi Sunt………………………..
11.    Madrigal…………………………….
12.    Rondelet……………………………..
13)     Rondeau……………………….
14)     Rondel…………………
15)     Roundel………………….
16)     Haiku…………………….
17)     Villanelle………………………….
18)     Pantoum…………………………………..
Zir Bet ~ulmipawl…………………………………..
Thutlangkomnak……………………………..

Bung III
Lemcan (Drama)………………………..
Lemcan: Komkhawmmi Art…………………..
Lemcan: A Khungkhaimi Art………………….
Lemcan: A Ruangkham (Structure)………………..
Cangtuphosuahnak (Characterisation)………………….
Nganrel`ong (Language)……………………….
Lemcan Ruang-ampawl (Forms of Drama)…………………..
Tragedy…………………………………..
Tragedy Phunphun……………………………..
1) Classical Tragedy…………………………..
Tragedy Khawngkham (The Plot of Tragedy)…
2) Romantic Tragedy……………………………
Tragedy Dangdang……………………………..
Tragedy A Thi Maw!……………………..
Comedy Phunphun……………………….
1) Classical Comedy………………………….
2) Romantic Comedy…………………………
Comedy Dangdangpawl………………….
Tragi-Comedy……………………………….
The Masque or Masks…………………………..
Farce………………………………
Chronicle Play or Historical Play………………………………..
Problem Play……………………………
Hmindang A Um Hrih…………………………………….
Lemcan Bungruapawl (Dramatic Devices)…………………….
1) Dramatic Irony………………………..
(a) Verbal Irony………………..
(b) Situational Irony…………………….
2) Soliloquy le Aside………………………
3) Ruahsannak le Thin`hawngtu (Expectation
and Surprise)…………………………………
4) Donsang Timlamdanpawl (Stage Directions)
A Dangdang……………………………….
Modern Phungthluk Lemcan (Dramatic Modernism)………….
Irish Lemcan-inn Cangvaihnak (The Irish Theatre Movement)
Caan Lemcan (Verse Drama)……………………………………
Hna`uan Mihlawm Lemcan (Working Class Drama) le
Tleirawl Thinling (Angry Young Man)……………………….
Europe Khawmualhuap Cangvaihnak……………..
Absurdist Drama or The Theatre of the Absurd……………….
Thunetkharnak…………………………

Bung IV
Nunthuleng (Novel)…………….
Nunthuleng Bulhram……………..
Kengkawhdik le Modern-phungthluk (Realism and Modernism)..
Nunthuleng ih Hmual le Hmelhmang ~henkhat…………….
Nunthuleng Phunphun (Types of Novel)………….
1)     Fashionable Novel (Sanman Nunthuleng)…………
2)     Memoir-novel (Cinkenngankhum Nunthuleng)………
3)    Oriental (or Eastern) Novel (or Tale)/ Nisuahlam                         Nunthuleng ……………….
4)     Sentimental Novel or Novel of  Sensibility
(Lunhnotertu Nunthuleng)…………………………..
5)     Novel of Sensation (Thin`hawngtu Nunthuleng)………
6)     Picaresque Novel (Mivakvai Nunthuleng)………..
7)     The Epistolary Novel (Cakuat Nunthuleng)…….
8)     The Noveau roman (New Novel/Nunthuleng Thar)………….
9)    The Metafiction (Thuahhnih Nunthuleng)……………..
10) Faction (Thungai Nunthuleng)…………….
11) The Roman Feuilleton (roman
feuilleton/Bungpeh Nunthuleng)………………
12) The roman fleuve (Pehzom Nunthuleng)…………………
13) The Saga (Saga Nunthuleng)…………….
14)    The roman a clef (novel with a key/Tawhfungnei                     Nunthuleng)…………….
15) The roman a these (thesis novel/Zirhnei Nunthuleng)…….
16) The bildungsroman/erziehungsroman (novel of
formation or education/Fimzirnak Nunthuleng)…………..
17) Science Fiction (Serthiamnak Nunthuleng)…….
18) The roman noir/gothic novel (Gothic Nunthuleng)…….
19) The Regional Novel (Hmunbulnei Nunthuleng)…….
20) Satirical Novel (Ziauawknak Nunthuleng)………..
21) The Historical Novel (Santhuanthu Nunthuleng)…..
22) Sociological Novel (Zatlanglam Nunthuleng)………
23) Psychological Novel (Thluakphungphai Nunthuleng)…..
A Dangpawl………………………………..
Theih ~ul Thupipawl…………………………………..
1) Thuanthureldan Kalhmang (Narrative Technique)…….
2) Cangtu (Character)…………………
3) Khawngkham (Plot)………………..
4) ~uanhmun (Setting)……………………..
Ruat Dingmi……………………..
English Nunthuleng Lamzin…………….

Bung V
Nunthuanthu (Biography)
A Sullam………………………….
Nunthuanthu le Santhuanthu…………………………….
Nunthuanthu Ngantu cu Hnakhunghar ~uantu A Si………………..
Nunthuanthu Ngantu ih Theih`ulmi………………………
Santhar Lamzin: Nunthuanthu Ngantui’ Hrangah………………
Santhuanthu Lamtluanah……………………………
Maingannunthuanthu (Autobiography)…………….
Nunthuanthu maw Maingannunthuanthu………………..

Bung VI
Nunthuleng Tawi (Short Story)……………………..
Nunthuleng Tawi ih Hmelhmang Thupipawl……………………
Ziangti’n Nunthuleng Tawi Kan Ngan Ding…………..
Nunthuleng Tawi Phunphun
1)     Duhdawtnak Nunthuleng Tawi (The Love Story)……..
2)    Zuamsuahnak Nunthuleng Tawi (The Adventures Story)……
3)     Zingzoitu Nunthuleng Tawi (The Detective Story)………
4)     Thluakphungphai Nunthuleng Tawi
(The Psychological Story)…………
5)     Serthiamnaklam Nunthuleng Tawi (The Scientific Story
of Scientific Fantasy)…………
6)     Zatlannaklam Nunthuleng Tawi (The Social Story)……

Bung VII
Cankhat Lemcan (One-Act Play)……
A Thuanthu Tawi………………
Relbawldan Tlangpi……………………

Bung VIII
Essay…………………….
A Sullam……………..
Essay Bulhrampi Pahnih…………….
Luhcilhdan Dangdang………………..
1) The Aphoristic Essay (Thufim Essay)………….
2) The Personal Essay (Bulpak Essay)……….
3) The Character-essay or Character-writing
(Ziazaphorhnak Essay)………………
4) The Critical Essay (Fakselnak Essay)…………
5) The Social or Periodical Essay (Zatlang Essay)…..
Zabi 20 Sung ih Essay………..
Santhar Essay le Catluang Zening: Hmelhmang Thupipawl…

Bung IX
Calai Fakselnak (Literary Criticism)………….
Fakselnak Phunhnih……………
Fakselnak le Calai………………
Fakselnak Santhuanthu Tawi
1)     Tuanbik lole Hellenic (Greek) San
(Earliest or Hellenic Phase)……………
2)     Hellenistic San (Hellenistic Period)……….
3)     Greeco-Roman San (Greeco-Roman Phase)………
4)     Sanlailak San (The Medieval Phase)……..
5)     Khawruah ~hangharh San Fakselnak
(Renaissance Criticism)……………..
6)    Rotling-thar San (Neo-Classical Phase)…………
7)     Romantic San (The Romantic Phase)…………
8)    Victoria San Fakselnak (Victorian Criticism)………..
9)     Zabi 20 Thokpek Fakselnak……………..
Zabi 20 Hnulam ih Calai le Fakselnak Theory-pawl……………
1)     Russian Ruang-am phungthluk (Russian Formalism)…..
2)     Thluaksungzoihnit Fakselnak
(Psychoanalytical Criticism)…………….
3)    Hmelhmangzoihnit Fakselnak (Archetypal Criticism)…
4)     Fakselnak Thar (New Criticism)……….
5)     Hmuithlam pianzia Fakselnak
(Phenomenological Criticism)……….
6)     Ruangkham-phungthluk (Structuralism)…………
7)     Ruangkhamluang-phungthluk (Post-Structuralism)……
8)     Deconstruction…………..
9)     Casiartu Theory (Reader Theory)……….
10) Marx-luan Phungthluk (Post-Marxism)…………
11) Minu-phungthluk Fakselnak (Feminist Criticism)…….
Bet Hrih Sehla: Thlirdan Dang in………………………
Fakselnak A ~hangso Vivo………..

Bung X
Prose Style………………………

Roncabupawl (Bibliography)………

Comments

comments

8 Comments

  1. Mai Sokhlei Par says:

    Wow!
    Ka rak hngahhlap zet mi cabu a suak thlang ding!!!
    Ka lungawi tuk.

    Keimah ihsin thokin calai ngainatu zo khalin an thathnempi tengteng ding ti ka rel cia ngam.

    Kianghrol, hitawk ihsin upatnak ka lo pe a si.

  2. Heu raw… Siar cak ve nasa si…

    An titha riai!

  3. Salai Zunphir says:

    ka siar tengteng a t’ul …

  4. O le Aw tahfung in ka thlir tum lo.
    An nganvekin ka siar asile ka thin a dam ding.

    Mirang ca vekin siar asile “o” rori, Laica siar rori in siar tum fukfo cun ka “Aw”
    lala.

  5. Nan ni cingcing.

    Thungaithlak in calai zalam tluan le awnmawi kawk sin dingah hma nan tawn thei ngaingai a rak si hi.

    Nan hla pawl ka rak ngai ih a rura nasa.
    Quality a tha zet ih a hlathu pawl khal ka duhzet.
    Zahpi a um lo nasa.

    Zuam sinsin uh.

  6. Klirlungz ih Calai Zirnak cabu hmaisabik!!

    A va lungawi um ve!!

  7. Hivek cabu tha taimak suahih in ngansak tu , Kianghrol ( Hmingte )

    Mipi hnen thleng thei ding ih a suahsak tu, PTJC (chinsynod )

    nan parah kan lungawi tukkk…..

    MR

  8. Klirlungz cingcing in calai muril nan hailang thei. Zuam sinsin uh. Nan zuamnak a lak lo ding. Hmai lamah kan lo tul sinsin lai ding. Nan hnatuan a lak a si lo ti kha thei ringring uh.

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